♔ ♕ ♖ ♗ ♘ ♙ ✍


The value of a coach.

The value of a coach.

That’s what friends are for. :)

That’s what friends are for. :)

Although they’re actually the predecessors, I feel like I’m watching Sasuke and Naruto.
Rivalry + friendship = awesome combination

Although they’re actually the predecessors, I feel like I’m watching Sasuke and Naruto.

Rivalry + friendship = awesome combination

The power of love. HAHA!

The power of love. HAHA!

Desperate times call for desperate impossibilities.

Desperate times call for desperate impossibilities.

17 April 2014 | silhouettica
And that was worth reading through all those chapters for… to finally see a glimpse into the Sakuragi and Rukawa’s solid teamwork.
FREAKIN’ INTENSE!
I have to say, the Shohoku vs. Sannoh arc is definitely my favorite part of this manga. From the start to finish I just kept on laughing, tensing up, rolling over and just couldn’t help but keep on reading. SO AWESOME. Inoue Takehiko definitely did an awesome job with this manga.
*sigh* What to say.
There’s been some discussions regarding the apparently abrupt ending of the manga. I don’t know about the anime, but the manga ended immediately after the Sannoh game (with just some very few epilogue pages). So, was it good or bad?
Some say that the mangaka was pressured into cutting the series short. This may be a possibility, but it’s kind of hard to support. It would be hard to say that Takehiko-sensei was pressured when there can’t be any evidence in the quality of the story flow, although this could be attributed to the mangaka’s pure awesomeness.
Well, we could really just not tell. My take: whether it was untimely cut short, it was good enough for me. Just reading the manga was a breeze, a freakin’ thrilling one. There wasn’t a dragging moment. I dunno. It’s not that I don’t want more, but I’m totally satisfied with the cut. In a way, it ended on a high note, so it’s good enough for me. Imagining the alternative, if the story went on with another higher note, well, it would probably be okay, but… it most probably wouldn’t leave the readers with the same effect as leaving it with the current ending. I mean, it just feels okay right now for me.
How do I say this? If there was another climax in the story, it wouldn’t feel real… Seriously, not trying to read to much into it but, I think it wouldn’t be realistic to have another higher climax, and thus the manga would’ve become just another one of those other mangas where reality is blurred out by fantasy. For me, if ever this story gets a continuation (and I really would support that) I’d prefer it to be another story altogether, another manga, just like that New Prince of Tennis continuation of Prince of Tennis. Jeeeez! Imagine those two mangas being merged together. That would be freakin’ weird. Same with Slam Dunk (and probably many other mangas out there). Any continuation would change the manga altogether. How? I also don’t know. I’d rather not know, actually. I just hope if I am to read any more of Sakuragi and Rukawa and the others, I’d read it in another manga, or an accompanying bonus volume, but not through another arc. Another would just be too stuffy for me. But I really couldn’t tell that, so, I’ll just let it be.
Well, in the end, I felt that Slam Dunk was like a peek into a bunch of basketball players’ lives. And a pretty damn good one. Any more peeking and it would result to a breach of their rights to privacy, haha! Seriously. Any more and it might be too much, so that’s another of my reasons why I’m good with the ending as it is. Although I would’ve appreciated a little more after-story pages, but it just can’t be helped.
Anyway, it was an awesome ride. I watched the anime version of this story back when I was in elementary (which is more than a freakin’ decade ago). Good to finally get some closure. Come to think of it, feels like I’m slowly seeking closure of the anime shows I never finished in my childhood days. Haha.
Well, it was a great thing I finally finished with Slam Dunk. Totally loved all the characters, especially their developments.
Strange. In the past I wouldn’t have left off with criticizing every bit and piece of a production/story, but right now, i just don’t feel the urge to do some detailed criticism. It’s probably has to do with the awesomeness of the manga. That, or growing old really does make you loosen up and become more appreciative in general.
Well, that’s it for this manga. :)

17 April 2014 | silhouettica

And that was worth reading through all those chapters for… to finally see a glimpse into the Sakuragi and Rukawa’s solid teamwork.

FREAKIN’ INTENSE!

I have to say, the Shohoku vs. Sannoh arc is definitely my favorite part of this manga. From the start to finish I just kept on laughing, tensing up, rolling over and just couldn’t help but keep on reading. SO AWESOME. Inoue Takehiko definitely did an awesome job with this manga.

*sigh* What to say.

There’s been some discussions regarding the apparently abrupt ending of the manga. I don’t know about the anime, but the manga ended immediately after the Sannoh game (with just some very few epilogue pages). So, was it good or bad?

Some say that the mangaka was pressured into cutting the series short. This may be a possibility, but it’s kind of hard to support. It would be hard to say that Takehiko-sensei was pressured when there can’t be any evidence in the quality of the story flow, although this could be attributed to the mangaka’s pure awesomeness.

Well, we could really just not tell. My take: whether it was untimely cut short, it was good enough for me. Just reading the manga was a breeze, a freakin’ thrilling one. There wasn’t a dragging moment. I dunno. It’s not that I don’t want more, but I’m totally satisfied with the cut. In a way, it ended on a high note, so it’s good enough for me. Imagining the alternative, if the story went on with another higher note, well, it would probably be okay, but… it most probably wouldn’t leave the readers with the same effect as leaving it with the current ending. I mean, it just feels okay right now for me.

How do I say this? If there was another climax in the story, it wouldn’t feel real… Seriously, not trying to read to much into it but, I think it wouldn’t be realistic to have another higher climax, and thus the manga would’ve become just another one of those other mangas where reality is blurred out by fantasy. For me, if ever this story gets a continuation (and I really would support that) I’d prefer it to be another story altogether, another manga, just like that New Prince of Tennis continuation of Prince of Tennis. Jeeeez! Imagine those two mangas being merged together. That would be freakin’ weird. Same with Slam Dunk (and probably many other mangas out there). Any continuation would change the manga altogether. How? I also don’t know. I’d rather not know, actually. I just hope if I am to read any more of Sakuragi and Rukawa and the others, I’d read it in another manga, or an accompanying bonus volume, but not through another arc. Another would just be too stuffy for me. But I really couldn’t tell that, so, I’ll just let it be.

Well, in the end, I felt that Slam Dunk was like a peek into a bunch of basketball players’ lives. And a pretty damn good one. Any more peeking and it would result to a breach of their rights to privacy, haha! Seriously. Any more and it might be too much, so that’s another of my reasons why I’m good with the ending as it is. Although I would’ve appreciated a little more after-story pages, but it just can’t be helped.

Anyway, it was an awesome ride. I watched the anime version of this story back when I was in elementary (which is more than a freakin’ decade ago). Good to finally get some closure. Come to think of it, feels like I’m slowly seeking closure of the anime shows I never finished in my childhood days. Haha.

Well, it was a great thing I finally finished with Slam Dunk. Totally loved all the characters, especially their developments.

Strange. In the past I wouldn’t have left off with criticizing every bit and piece of a production/story, but right now, i just don’t feel the urge to do some detailed criticism. It’s probably has to do with the awesomeness of the manga. That, or growing old really does make you loosen up and become more appreciative in general.

Well, that’s it for this manga. :)

love this duo :)

love this duo :)

realdomdom:

silhouettica:

14 April 2014 0200H
This marks the day I finished reading the Neon Genesis Evangelion manga. I think it was my first anime frustration as a child. The first show I was never able to finish because there wasn’t anything to finish at all.
I am not sure what to say. I am not sure if I am disappointed because there are some things that either don’t tie up, or that simply go beyond my comprehension of the story.
The ending was a beginning. It was also an erasure of their memories. Even Shinji seemed to forget what happened, even though the death of his mother and the abandonment of his father remained the same.
What exactly happened?
The reason of this frustration… it’s probably that I feel like nothing’s changed since that time more than a decade ago when the anime left me hanging and the lasting impression that I can recall from this anime was Shinji and Asuka kissing with Rei watching. Somehow, I still don’t understand, I still don’t know what to make of the story which I yearned for so long to be finished. And this is the ending I searched for.
I guess that’s just another ending for me.
But thank you. Thank you for being a part of my childhood.
I have to move on now, although I do not know what from, how to, nor towards where, but with this ending, I will have to move on now, somehow, somewhere.

“I started this production with the wish that once the production complete, the world, and the heroes would change. There are too many painful things for people to go on living in reality. Thus, humans run and hide in dreams. They watch films as entertainment. Animation, as a means to enjoy everything in a pure, fake world, is a realization of dreams and has become entrenched in film. In short, it is a thing where even coincidences are arranged and everything judged cinematically unnecessary can be excised. The negative feelings of the real world are no exception. Characters in animation do not cheat. They do not let you go for another. Animation is on certain points, very close to the pornography industry. All your physical needs are met. You can watch different animations and find anything you desire. Audiences have come to need a work only as an escape from reality, as a comfortable dream, judging everything on the criterion of moe, while creators’ intellectual paucity and the jumble of trivial touches have encouraged that structure. At the same time, TV-type mass consumption, which prizes instant gratification and simplistic results, laid the impoverished grounds of contemporary Japanese entertainment giving rise to masses that can only respond with praise for superficial details and technical proficiency; with tears, laughter, fear, or some outpouring of simple emotions; or with identifying and particularism. And here we are, in this stagnant state of affairs. I am stuck here myself. It’s embarrassing and frustrating, and I also regret that I contributed to it. I want it fixed. The sooner, the better. Eva is a story of repetition. It is a story where our protagonist faces the same situation many times over and determinedly picks himself back up again. It is a story of the will to move forward, even if only a little. It is a story of the resolve to want to be together, even though it is frightening to have contact with others and to endure ambiguous loneliness. Evangelion is like a puzzle, you know. Any person can see it and give his/her own answer. In other words, we’re offering viewers to think by themselves, so that each person can imagine his/her own world. We will never offer the answers, even in the theatrical version. As for many Evangelion viewers, they may expect us to provide the ‘all-about Eva’ manuals, but there is no such thing. Don’t expect to get answers by someone. Don’t expect to be catered to all the time. We all have to find our own answers.” – Hideaki Anno 

_____
16 April 2014 | silhouettica

Hm.. I feel like responding to this. :)
After finishing NGE, I kept pondering just what the heck happened, even after I made this post. I realized that so many people died. There’s Shinji’s dad, Rei, his friend, his guardian and her lover (sorry, I forgot their names), and there’s the blondie who fell in love with Shinji’s dad just like her mom. They all died. So in a sense, I realized, it wasn’t a completely similar world. So many people died, and that changed the entire setting.
Strange. Somehow this makes me remember that high school topic on story essentials, like setting, plot, characters, etc. It really does change the story when you introduce, or in this sense, deduct from the character list. In a way, the ending wasn’t a repetition, or a second chance at their lives, but actually a continuation. But I wonder, where do they start off with? What happened to their history? That time as Eva pilots, that period after the second impact, how about their memories then?
What gets to me is that a whole significant chunk of their memories just completely vanished with no explanation.
Why can’t they remember? Life, the future depends on the past. A future without a past can hardly be called a future, can it?
This quest for answers, it’s very human, isn’t it? I agree, it says in the preceding quote, “Don’t expect to get answers by someone. Don’t expect to be catered to all the time. We all have to find our own answers." The thing is… somehow, we expect that there should be an answer, but the way the story is, with the jumble and all, it’s kind of hard to derive an answer out of pieces that don’t match up. Or at least don’t seem to. But that’s up to the reader, isn’t it. In the end, it’s up to us to piece the fragments together and create an answer, not just rip off one.
Until now, I still can’t find that answer for Eva. I guess it’s a matter of leaving that answer for the characters themselves and finding an answer for my own life. I mean, just like we manga/anime enthusiasts already know. More than finding that answer for the story, we have to face the questions in our own lives. No, not that this can be applied to all manga/anime. Eva is different. As the quote said, it’s about continuing life. So, maybe one way to respond or read it, is to continue living our own lives. Well, that’s just my take.
I don’t know why the realdomdom reblogged my post with this quote, he could’ve just felt like it, and ta-da, but just for the record, I’m not one of those otakus’ who expect to get the answers from the creators themselves. I actually like finding the answers on my own. After all, you don’t expect to know a person completely just by asking others for their opinions on that person. Same with a story. It doesn’t give justice to a good story to just imbibe another’s commentary on it.
I don’t know when or if I ever will solve this enigma of NGE, but I think it’s more important that I solve my own life first.
So yeah, thanks again. Life goes on.

realdomdom:

silhouettica:

14 April 2014 0200H

This marks the day I finished reading the Neon Genesis Evangelion manga. I think it was my first anime frustration as a child. The first show I was never able to finish because there wasn’t anything to finish at all.

I am not sure what to say. I am not sure if I am disappointed because there are some things that either don’t tie up, or that simply go beyond my comprehension of the story.

The ending was a beginning. It was also an erasure of their memories. Even Shinji seemed to forget what happened, even though the death of his mother and the abandonment of his father remained the same.

What exactly happened?

The reason of this frustration… it’s probably that I feel like nothing’s changed since that time more than a decade ago when the anime left me hanging and the lasting impression that I can recall from this anime was Shinji and Asuka kissing with Rei watching. Somehow, I still don’t understand, I still don’t know what to make of the story which I yearned for so long to be finished. And this is the ending I searched for.

I guess that’s just another ending for me.

But thank you. Thank you for being a part of my childhood.

I have to move on now, although I do not know what from, how to, nor towards where, but with this ending, I will have to move on now, somehow, somewhere.

“I started this production with the wish that once the production complete, the world, and the heroes would change. There are too many painful things for people to go on living in reality. Thus, humans run and hide in dreams. They watch films as entertainment. Animation, as a means to enjoy everything in a pure, fake world, is a realization of dreams and has become entrenched in film. In short, it is a thing where even coincidences are arranged and everything judged cinematically unnecessary can be excised. The negative feelings of the real world are no exception. Characters in animation do not cheat. They do not let you go for another. Animation is on certain points, very close to the pornography industry. All your physical needs are met. You can watch different animations and find anything you desire. Audiences have come to need a work only as an escape from reality, as a comfortable dream, judging everything on the criterion of moe, while creators’ intellectual paucity and the jumble of trivial touches have encouraged that structure. At the same time, TV-type mass consumption, which prizes instant gratification and simplistic results, laid the impoverished grounds of contemporary Japanese entertainment giving rise to masses that can only respond with praise for superficial details and technical proficiency; with tears, laughter, fear, or some outpouring of simple emotions; or with identifying and particularism. And here we are, in this stagnant state of affairs. I am stuck here myself. It’s embarrassing and frustrating, and I also regret that I contributed to it. I want it fixed. The sooner, the better. Eva is a story of repetition. It is a story where our protagonist faces the same situation many times over and determinedly picks himself back up again. It is a story of the will to move forward, even if only a little. It is a story of the resolve to want to be together, even though it is frightening to have contact with others and to endure ambiguous loneliness. Evangelion is like a puzzle, you know. Any person can see it and give his/her own answer. In other words, we’re offering viewers to think by themselves, so that each person can imagine his/her own world. We will never offer the answers, even in the theatrical version. As for many Evangelion viewers, they may expect us to provide the ‘all-about Eva’ manuals, but there is no such thing. Don’t expect to get answers by someone. Don’t expect to be catered to all the time. We all have to find our own answers.” – Hideaki Anno

_____

16 April 2014 | silhouettica

Hm.. I feel like responding to this. :)

After finishing NGE, I kept pondering just what the heck happened, even after I made this post. I realized that so many people died. There’s Shinji’s dad, Rei, his friend, his guardian and her lover (sorry, I forgot their names), and there’s the blondie who fell in love with Shinji’s dad just like her mom. They all died. So in a sense, I realized, it wasn’t a completely similar world. So many people died, and that changed the entire setting.

Strange. Somehow this makes me remember that high school topic on story essentials, like setting, plot, characters, etc. It really does change the story when you introduce, or in this sense, deduct from the character list. In a way, the ending wasn’t a repetition, or a second chance at their lives, but actually a continuation. But I wonder, where do they start off with? What happened to their history? That time as Eva pilots, that period after the second impact, how about their memories then?

What gets to me is that a whole significant chunk of their memories just completely vanished with no explanation.

Why can’t they remember? Life, the future depends on the past. A future without a past can hardly be called a future, can it?

This quest for answers, it’s very human, isn’t it? I agree, it says in the preceding quote, “Don’t expect to get answers by someone. Don’t expect to be catered to all the time. We all have to find our own answers." The thing is… somehow, we expect that there should be an answer, but the way the story is, with the jumble and all, it’s kind of hard to derive an answer out of pieces that don’t match up. Or at least don’t seem to. But that’s up to the reader, isn’t it. In the end, it’s up to us to piece the fragments together and create an answer, not just rip off one.

Until now, I still can’t find that answer for Eva. I guess it’s a matter of leaving that answer for the characters themselves and finding an answer for my own life. I mean, just like we manga/anime enthusiasts already know. More than finding that answer for the story, we have to face the questions in our own lives. No, not that this can be applied to all manga/anime. Eva is different. As the quote said, it’s about continuing life. So, maybe one way to respond or read it, is to continue living our own lives. Well, that’s just my take.

I don’t know why the realdomdom reblogged my post with this quote, he could’ve just felt like it, and ta-da, but just for the record, I’m not one of those otakus’ who expect to get the answers from the creators themselves. I actually like finding the answers on my own. After all, you don’t expect to know a person completely just by asking others for their opinions on that person. Same with a story. It doesn’t give justice to a good story to just imbibe another’s commentary on it.

I don’t know when or if I ever will solve this enigma of NGE, but I think it’s more important that I solve my own life first.

So yeah, thanks again. Life goes on.

ANGAS to the nth level O.O
I was just thinking… doesn’t Kagami sort of resemble Kyo from Samurai Deeper Kyo? ._.

ANGAS to the nth level O.O

I was just thinking… doesn’t Kagami sort of resemble Kyo from Samurai Deeper Kyo? ._.

The most important thing when going giant-killing… isn’t just tactics, but heart.